IAFilm Update - end of 2020 - focus on "post"
IAFilm is very active - with the "post production" of our indie feature "Brave Love".
Edit and FX for our "mock epic" is a "major mission" but progress is good at the end of 2020
after a slow previous 2 years. We get an insight as to why epic movie FX get very many names in the credits.
Intensive "post" makes us low noise in public just now but that will change as we get near release. On the "todo list" for then is an overhaul of
this website. Regard it in the meantime as mainly archive and see our blog and Youtube for the latest with us:
Informal diary of ideas, events, film projects as they happen.
iafilm on YouTube
Clips made or selected for the YouTube environment.
EVENT - "100 Years Of Brave Love"
On 12 January, 1915, Katherine Mansfield (KM) wrote in her diary:
Actually finished the story Brave Love and I don't know what to think of it
even now. Read it to Jack who was also puzzled. Violent headache but rather
What we think of it is KM's cinematic story that gives us the key to
creating a narrative feature based on her writing.
WEBCAST. Went live Monday, 12 Jan 2015, NZ time: 8:30pm to 9:30pm
Achieved while overcoming the distractions of lots of tech problem solving.
Big big thanks to all involved.
The link above is to "Version 02" which has some post-webcast improvements.
About "Brave Love" the movie:
We are on the great indie adventure - living the dream - making our no-budget feature movie.
Shooting started 09 Oct 2013. I have held back from public discussion until now when completion is looking good. We have been taking on an ambitious mock epic. Time and time again we have faced impossible barriers then dramatically, ingeniously and heroically have rescued the production. Or putting it another way, a normal indie no-budget collaborative experience!
Aimed initially at
film festivals. Experimental in its extensive use of green screens to shoot most of the scenes
in one borrowed classroom over our New Zealand(NZ) summer break.
Has "green screen" technology trickled down far enough that we can make it work for this?
Let's do it to find out!
[Adding notes later as shooting nears completion - takes a lot of time but it is working ...]
story, written then lost 100 years ago, on rediscovery scores remarkable hits
on issues that are relevant today. Katherine Mansfield (KM) is big on The Gap Between Rich and Poor. I also bring in the global warming debate as sparking conflict between the characters. This is mainly achieved by taking KM's banker villain and changing his occupation to oil company chief.
is my adaptation of classic literature into a present day setting. Inspired
partly by the "Shakespeare Retold" TV Plays from the BBC a few years
back. Includes material mainly from Katherine Mansfield (NZ, UK, Stories and
notebooks, 91-107 years ago), also Jonathan Swift ("Gulliver's
Travels", 300 years ago) and William Shakespeare (400 years ago). What
emerges is a satirical big-business mock epic set in the imaginary oil boom
city of Lagado, 300 years after its appearance in "Gulliver's Travels".
Why make a feature when it is so difficult? Because it is so difficult? Partly! Also the democratisation of film-making is now giving us a flood of short films. eg The Winterthur Short Film Festival recently had over 5000 entries chasing only 41 screening opportunities. Features need a big human organisational effort regardless of how accessible the tech gets, so there may yet be time to stand out from the smaller crowd going the feature way. Also we have had some film festival successes with short films. To us that means that growing and developing means taking on the monster challenge of the feature.
To creative enthusiasts in Auckland, NZ - we are now moving into "second unit" filming where we need supporting role actors and extras and more crew help. We mostly hold day jobs and film at night so to all you enthusiasts with day jobs, here is your big opportunity. For info, audition or interview, find us via
IMO most no-budget narrative movies are either 2-actor intense unusual-relationship dramas
or horror-zombie-vampire attempts to repeat the breakthrough success of Peter Jackson
in the late 1980s. Time for something different.
In The Guardian article "The Burning Question" -
Robert Macfarlane asks "where is the literature of climate change?"
OK so modern writers are not up to this challenge so let's bring in the power of classic literature - who you gonna call? Katherine Mansfield!
Live Webcasting Experience - the tech story
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